Pink Floyd - EDITED VIDEO from Two Different Concerts: Roger Waters's "In The Flesh" and David Gilmour's "Live in Gdansk" - (video editado a partir de Roger Waters: In The Flesh y de David Gilmour Live in Gdansk). Confortably Numb © 1979.

Amused to Death (HD) Music Video
Artist: Roger Waters
Album: Amused to Death
Released: 1991
A new music video for 2022.
Dreamers of the New Age Music Video Fan Tribute.

Doctor Doctor, what is wrong with me
This supermarket life is getting long
What is the heart life of a colour TV
What is the shelf life of a teenage queen
Ooh western woman
Ooh western girl
News hound sniffs the air
When Jessica Hahn goes down
He latches on to that symbol of detachment
Attracted by the peeling away of feeling
The celebrity of the abused shell, the belle
Ooh western woman
Ooh western girl
Ooh western woman
Ooh western girl
And the children on Melrose
Strut their stuff
Is absolute zero cold enough
And out in the valley, warm and clean
The little ones sit by their TV screens
No thoughts to think
No tears to cry
All sucked dry
Down to the very last breath
Bartender what is wrong with me?
Why am I so out of breath?
The captain said excuse me ma'am
This species has amused itself to death
Amused itself to death
It has amused itself to death
Amused itself to death
We watched the tragedy unfold
We did as we were told
We bought and sold
It was the greatest show on earth
But then it was over
We ohhed and aahed
We drove our racing cars
We ate our last few jars of caviar
And somewhere out there in the stars
A keen-eyed look-out
Spied a flickering light
Our last hurrah
Our last hurrah
And when they found our shadows
Grouped 'round the TV sets
They ran down every lead
They repeated every test
They checked out all the data on their lists
And then, the alien anthropologists
Admitted they were still perplexed
But on eliminating every other reason
For our sad demise
They logged the only explanation left
This species has amused itself to death
No tears to cry, no feelings left
This species has amused itself to death
Amused itself to death
Amused itself to death (repeating)
(Switch channels)
"Years later, I saw Bill Hubbard's name on the memorial to the missing at Aras. And I... when I saw his name I was absolutely transfixed; it was as though he... he was now a human being instead of some sort of nightmarish memory of how I had to leave him, all those years ago. And I felt relieved, and ever since then I've felt happier about it, because always before, whenever I thought of him, I said to myself, 'Was there something else that I could have done?' And that always sort of worried me. And having seen him, and his name in the register - as you know in the memorials there's a little safe, there's a register in there with every name - and seeing his name and his name on the memorial; it sort of lightened my... heart, if you like."
"When was it that you saw his name on the memorial?"
"Ah, when I was eighty-seven, that would be the year, ninete... eighty-four, nineteen eighty-four."
Source: Musixmatch
Songwriters: Roger Waters
Amused to Death lyrics © Roger Waters Music Overseas Ltd.

Roger Waters started working on Amused to Death in 1987 when he first wrote "Perfect Sense."It was several years before the album was released.

Amused to Death was produced by Patrick Leonard, Waters, and was co-produced with Nick Griffiths in London at The Billiard Room, Olympic Studios, CTS Studios, Angel Recording Studios and Abbey Road Studios. The album was engineered by Hayden Bendall, Jerry Jordan, and Stephen McLaughlan and mixed by James Guthrie. The album is mixed in QSound to enhance the spatial feel of the audio, and the many sound effects on the album – rifle range ambience, sleigh-bells, cars, planes, distant horses, chirping crickets, and dogs – all make use of the 3-D facility.

Amused to Death is the only studio album by Waters to not have a tour supporting it, though some songs were performed during the In The Flesh and Us + Them tours.

The album is loosely organized around the idea of an ape randomly switching channels on a television, but explores numerous political and social themes, including critiques of the First Gulf War in "The Bravery of Being Out of Range" and "Perfect Sense."

The first track, "The Ballad of Bill Hubbard," features a recording of the voice of World War I veteran Alfred Razzell, a member of the Royal Fusiliers who describes his account of finding fellow soldier William "Bill" Hubbard, to whom the album is dedicated, severely wounded on the battlefield. After failed attempts to take him to safety, Razzell is forced to abandon him in no-man's land. The tale is continued at the end of the title track, at the very end of the album, providing a coda to the tragic story, with Razzell describing how he finally found peace.

Roger Waters - Welcome To The Machine (Us + Them)

A recording of Roger Waters The Wall live concert in Chicago

I wanted to make a complete version of Roger's new song "The Bar" with the complete lyrics put as subtitles.
So I cut the 2 parts and put them together to a complete song.
The film content used is from the live broadcast on the 25th May 2023 at the O2 Arena in Prague.
Since English is not my mother language, any corrections to the lyrics are more than welcome.
Please write them in the comments and I will adjust them.
I do not own any of the rights for the music or the film content.
All rights belong to ROGER WATERS!
for more info go to rogerwaters.com
Enjoy!

Roger Waters: Us + Them is a 2019 British concert film by English musician Roger Waters, founding member of Pink Floyd. The film was directed by Waters and Sean Evans, and it captures a truncated performance from Waters' 2017–18 live tour. All revenue generated from this video goes to the copyright owner.

::: SUBTITLES COMING SOON :::
::: LEGENDAS EM BREVE :::
::: SUBTÍTULOS PROXIMAMENTE :::

-- ES --
Show completo de Roger Waters en el estadio de River Plate de Buenos Aires, Argentina. Recopilación de imágenes de audiencia procesadas y mejoradas, junto con audio reecualizado para una mejor experiencia. Edición y subtítulos producidos por el propio canal, sin fines de monetización, con mucha admiración y agradecimiento por el trabajo de Roger Waters. De fan para fan, ¡disfrútalo!

Tenga en cuenta que es una edición realizada en base a las pocas grabaciones publicadas en YouTube. La calidad de la imagen cambia radicalmente de un ángulo a otro. Fue bastante complicado encontrar material con la mínima calidad y suficiente para cubrir el 100% del espectáculo. Por lo tanto, necesitaba utilizar imágenes de las dos exposiciones en Buenos Aires (21 y 22 de noviembre de 2023). Aún así faltó alrededor del 5% de cobertura, por lo que tuve que utilizar extractos de otros shows en ciudades latinas, pero alrededor del 95% de esta edición es de los shows de Buenos Aires y el audio es absolutamente 100%, con todas las líneas de Roger, incluidas.

-- BR --
Show completo de Roger Waters no estádio do River Plate em Buenos Aires, Argentina. Compilação de filmagens do público tratadas e aprimoradas, juntamente com áudio re-equializado para melhor experiência. Edição e legendas produzidas por este próprio canal, sem fins de monetização, com muito amor e respeito pela obra de Roger Waters. De fã para fãs, aproveitem!

Por favor, considerem que é uma edição feita em cima das poucas gravações publicadas no YouTube. A qualidade de imagem muda radicalmente de ângulo para ângulo. Foi bastante difícil encontrar material com o mínimo de qualidade e suficiente para cobrir 100% do show. Por isso, precisei aproveitar imagens dos dois shows em Buenos Aires (21 e 22 de Novembro de 2023). Ainda assim, faltou em torno de 5% de cobertura, por isso precisei recorrer a trechos de outros shows em cidades latinas, mas em torno de 95% desta edição é dos shows em Buenos Aires e o áudio é absolutamente 100%, com todas as falas de Roger, inclusive.

- EN -
Full show by Roger Waters at the River Plate stadium in Buenos Aires, Argentina. Compilation of processed and enhanced audience footage, along with re-equalized audio for a better experience. Editing and subtitles produced by this channel itself, without monetization purposes, with much admiration and gratitude for the work of Roger Waters. From fan to fan, enjoy!

Please consider that it is an edit made based on the few recordings published on YouTube. Image quality changes radically from angle to angle. It was quite difficult to find material with the minimum quality and enough to cover 100% of the show. Therefore, I needed to use images from the two shows in Buenos Aires (November 21 and 22, 2023). Even so, there was a lack of around 5% of coverage, so I had to use excerpts from other shows in Latin cities, but around 95% of this edition is from the shows in Buenos Aires and the audio is absolutely 100%, with all the Roger's lines, including.

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This Is Not a Drill
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Roger Waters, Us Them 2019

The Wall Live in Berlin, 21 July 1990.